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Mass in 40 Parts: a masterpiece, 400 years late
How do you play and record a lost Renaissance mass? I Fagiolini and I found out.
Twenty or so years ago, the musicologist Davitt Moroney came across a reference in the Bibliothèque Nationale in Paris to a 40-part mass by a composer he had never heard of, someone called "Strusco". Forty vocal lines in one piece of music? It had been done – in 1561, the Florentine court composer Alessandro Striggio had written a motet with 40 individual parts at the behest of his employer, Duke Cosimo I de' Medici, to celebrate the visit of two Catholic dignitaries, en route from Rome to Paris. And in 1571 Thomas Tallis, inspired by a visit Striggio made to London in 1567, had written Spem in Alium, another work for 40 voices – but it was still a strange thing to uncover. Most choral music is written for a few individual vocal lines. You can have as many singers as you like on each, but there are still only those few lines. In Verdi's Requiem, the choir may be 200-strong, but there are just four parts.
Guardian article
Guardian review
Observer review
Wikipedia entry for Alessandro Striggio